Dutch Baroque Era Painter, 1637-1712 Dutch painter, draughtsman, printmaker and inventor. In 1650 he moved to Amsterdam with his family; his father, a Mennonite, who had pursued various occupations rather unsuccessfully, died that year. Jan's artistic training may have begun with drawing lessons in the studio of a relative, perhaps his eldest brother, Goris van der Heyden, who made and sold mirrors; Jan may also have studied the reverse technique of glass painting with an artist in Gorinchem. Painting occupied relatively little of his time, however, although he continued to pursue it throughout his long life. His prosperity was mainly due to his work as an inventor, engineer and municipal official. He designed and implemented a comprehensive street-lighting scheme for Amsterdam, which lasted from 1669 until 1840 and was adopted as a model by many other towns in the Netherlands and abroad. In 1672,   Related Paintings of HEYDEN, Jan van der :. | Still-life with Rarities | A Fortified Castle on a Riverbank | The New Town Hall in Amsterdam sf | Dam Square, Amsterdam | Amsterdam, Dam Square with the Town Hall and the Nieuwe Kerk s |
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Adolf Ulrik Wertmuller
(February 18, 1751 e October 5, 1811) was a Swedish painter whose notable works include Danaë receiving Jupiter in a Shower of Gold. Wertmeller was born in Stockholm and studied art at home before moving to Paris in 1772 to study under his cousin Alexander Roslin and French painter Joseph-Marie Vien. On July 30, 1784, Wertmeller was elected to the Royal Academy of Painting and Sculpture. Wertmeller was commissioned by Gustav III of Sweden for a portrait of Marie Antoinette, which is now in the Nationalmuseum at Stockholm. In 1787, he produced his masterpiece Danaë, a work which proved controversial as one of the earliest female nude paintings exhibited in America. Wertmeller first emigrated to the United States in May 1794 and continued his portrait work, most notably of General George Washington, but in 1796 was called back to Sweden, eventually returning to Philadelphia in 1800. Elizabeth B. Johnston, in her book Original Portraits of Washington (Boston, 1882), speaks of five portraits of Washington by Wertmeller, of which one, executed in 1797, was purchased by the U. S. government in 1878, and another is owned by the Historical Society of Pennsylvania. Wertmeller was married to Elizabeth Henderson, granddaughter of noted early American painter Gustavus Hesselius, on January 8, 1801, and two years later retired to a plantation in Claymont, Delaware, where he lived the final years of his life. He died near Marcus Hook, Pennsylvania, aged 60.
Johann Michael Sattler
(28 September 1786, Herzogenburg, Lower Austria - 28 September 1847, Mattsee, Salzburg) was an Austrian portrait and landscape painter, best known for his large-scale panoramas. Sattler attended the Vienna Academy beginning in 1804 under the tutelage of Hubert Maurer. In 1819 Sattler moved to Salzburg, where in 1824 he began to paint a 360-degree panorama of the city as seen from the top of Salzburg's castle. The massive work covered 125 square metres and was first exhibited in 1829. Salzburg made him an honorary resident. Stattler toured across Europe with the painting for ten years, writing about his return in 1838, "with 30 tons and crossing approximately 30,000 kilometres of land and water, a feat no one had ever done before me and one which would be difficult to repeat in the future." Satler's son, the artist Hubert Sattler, donated the work to the city in 1870. The painting is now on display at the Salzburg Museum in a specially designed area called the Panorama Museum.
Louis de Silvestre
(23 June 1675 - 11 April 1760) was a French portrait and history painter. He was court painter to King Augustus II of Poland, and director of the Royal Academy of Arts in Dresden. Sylvestre was born in Sceaux, south of Paris, the third son of Israel Silvestre, the notable engraver and drawing-master to the Dauphin himself. Louis was taught initially by his father, then trained under Charles Le Brun and Bon Boullogne; he completed his studies in Rome, where he met Carlo Maratta, whose work had a great influence on him. After his return to Paris, Sylvester entered the Royal Academy in 1702 and was appointed professor in 1706.